homo-online:

HOMO

homo-online:

HOMO

POSTED October 02, 2014 @ 12:14 WITH 9,351 notes
REBLOGGED FROM: herculeanluxe (SOURCE: euo)

harinef:

summertimegoth:

Same

omg me………

POSTED October 02, 2014 @ 11:46 WITH 38,073 notes
REBLOGGED FROM: harinef (SOURCE: mrgolightly)

drowsydevastation:

when you know a word in english but not your native language

image

when there’s no english equivalent to a word from your native language and vice versa

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accidentally switching between your native language and english in a sentence 

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hearing someone speak your native language when you’re on vacation on some weird ass country

image

POSTED October 02, 2014 @ 11:17 WITH 53,630 notes
REBLOGGED FROM: iraya (SOURCE: drowsydevastation)

jpnvines:

お前だれ 〜 Hiyori

Who are you 〜 Hiyori

I’ll take a selfie… selfie~

Huh? Huh?

POSTED October 02, 2014 @ 10:49 WITH 27,296 notes
REBLOGGED FROM: herculeanluxe (SOURCE: vine.co)
cryptovolans:

very slowly and carefully easing back into doing a little bit of art without stressing my arms out. here’s a preview of something I’m working on! I’m hoping to make it into a pattern eventually!

cryptovolans:

very slowly and carefully easing back into doing a little bit of art without stressing my arms out. here’s a preview of something I’m working on! I’m hoping to make it into a pattern eventually!

POSTED October 02, 2014 @ 10:21 WITH 3,248 notes
REBLOGGED FROM: countvonroo (SOURCE: cryptovolans)

Kawakubo does not design for a pre-existing form. She designs in the event-fabric of a reorienting of what fashioning can be. She begins with the creation of an enabling constraint, exploring how the constraint can create a procedure whose path her creative practice can follow. “I put parts of patterns where they don’t usually go. I break the idea of ‘clothes.’ I think about using for everything what one would normally use for one thing. Give myself limitations.”[5] Key to this process is the fact that even the fabric, the materiality of the proposition that moves her work, becomes procedural, oriented toward a tentative encounter with emergent modes of existence that activate a bodying not yet defined. In Kawakubo’s practice, procedurality moves materiality to its limit.

 -
POSTED October 02, 2014 @ 09:53 WITH 98 notes
REBLOGGED FROM: arabellesicardi
witchesandslippersandhoods:

Comme des Garçons SIX 1/4
Photographs by Kishin Shinoyama

witchesandslippersandhoods:

Comme des Garçons SIX 1/4

Photographs by Kishin Shinoyama

POSTED October 02, 2014 @ 09:24 WITH 300 notes
REBLOGGED FROM: arabellesicardi (SOURCE: witchesandslippersandhoods)
POSTED October 02, 2014 @ 08:56 WITH 19,410 notes
REBLOGGED FROM: transfeminazgul (SOURCE: allnicki)
POSTED October 02, 2014 @ 08:28 WITH 934 notes
REBLOGGED FROM: prettygirlsandpastries (SOURCE: rezime)
blackhistorytheremix:

Twenty years before NWA screamed “Fuck tha Police” Marsha P. Johnson was in the streets of New York throwing shoes at them (so the story goes). Marsha P. Johnson (June 27, 1944 – July 6, 1992) aka “the Saint of Christopher Street” was an iconic trans* rights activist. She was a leader in the resistance against police harassment in what we know as the Stonewall Riots. She also was the cofounder of Street Transvestite Action Revolutionaries (S.T.A.R.)

blackhistorytheremix:

Twenty years before NWA screamed “Fuck tha Police” Marsha P. Johnson was in the streets of New York throwing shoes at them (so the story goes). Marsha P. Johnson (June 27, 1944 – July 6, 1992) aka “the Saint of Christopher Street” was an iconic trans* rights activist. She was a leader in the resistance against police harassment in what we know as the Stonewall Riots. She also was the cofounder of Street Transvestite Action Revolutionaries (S.T.A.R.)

POSTED October 02, 2014 @ 08:00 WITH 7,750 notes
REBLOGGED FROM: highkeygay (SOURCE: blackhistorytheremix)